OK, so I have a more than passing interest in the paranormal. So a new television show like Fact or Faked: Paranormal Files is going to, in the least, pique my interest for a few episodes. But can it hold it beyond that?

In my experience, paranormal TV runs the gamut from something very scientific and research-based like MonsterQuest (featuring actual tenured academics) to something more akin to a couple of guys running around in the dark without flashlights cursing and swearing to appear cool—like Extreme Paranormal. (For Extreme Paranormal, picture the Jackass franchise done with ghosts.) Somewhere in the middle, is a balanced show like Ghost Hunters, one of the original and most successful series in this genre. A show in which two plumbers and a rag-tag group of other investigators set out to use what they deem to be scientific tools to track and record ghosts. They’ve been doing it for a long time, seven years now, and they’re honest in their pursuit whether or not the “science” they use is altogether scientific.

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I had the opportunity to watch The Brothers Bloom this weekend. It’s a film that Maria and I had wanted to see for a long time but just hadn’t got around to it. To be honest, after our extended Oscar-nominated film-watching marathon we’ve both been a little burnt out on the cinema. However, if we’d realized how great The Brothers Bloom was going to be, we certainly wouldn’t have waited this long to watch it.

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This past weekend, Maria and I watched Yes Man, a film which we normally wouldn’t have rented if it were not free from the library. I’m going to summarize my thoughts on this film in three paragraphs. I think that’s all it will take. This paragraph does not count.

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I think it’s impossible not to frame this review in a particular context: this is the last regular episode of LOST, ever. The penultimate LOST episode. The almost-an-end-of-an-era episode. The fat lady is about to sing, and it’s impossible to get past that. But, all that said, I want to take a second to step back and try to see the longview. Have hopes and expectations lined up with reality? Is it going in the direction we thought it would? What’s up?

If there’s one thing that I think every LOST fan can agree on, aside from the fact that the show is awesome, is that we haven’t been getting nearly as many answers as we expected. I think it’s funny, as this debate rages on, that there are those who act like apologists for LOST’s writers. We get the slightest little hint at an answer and they’re all over it to say, “See! We are getting our questions answered!” They work so hard to help us find merit in every episode despite the fact that we’re constantly disappointed. These guys are real troopers and I think we have to applaud their incredible faith. But, guys, let’s be realistic: no one is pleased with the amount of question that have been answered—we’re all disappointed.

But should we have expected more? Did we really think that we’d get all of our questions answered? I mean, deep down inside did we? From its inception, LOST has been about leaving us hanging, about piling on more and more mystery instead of explaining it away. This show has never been about tying things up neatly with a bow, and I don’t think we should expect anymore, not from this final season and, I would suggest, probably not from the finale either. In fact, they’ve so much as told us that they aren’t going to explain it all, that we won’t be left completely satisfied. If we chalk that up to the nature of the beast, then I think we can atleast get on with it.

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I admit, I’m a ravenous fan of The New Pornographers so heading into this album I knew it would take a lot to disappointment. But Together does not disappoint, not the diehard fan and, I would suggest, not someone with brand new ears either. If you’ve never listened to The New Pornographers before, perhaps here is a good starting point.

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This week’s episode of LOST, like the earlier Richard-centric episode, was entirely a flashback. I don’t think we saw any of these kind of episodes during earlier seasons so it’s pretty neat to see two in the final run. Like Richard’s episode, “Across the Sea” did a lot to move the good vs. evil plot forward and reveal to us a bit more of what the island is really about. Do we come away really knowing anything new? I don’t know, I’m still on the fence about that. But it was a solid episode with lots of information and a lot of intriguing developments. An enormous 2,200-word essay is below the break…

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500 Days of Summer is one of those films that surprises you. I was surprised. When Maria mentioned that she wanted to watch it I was kind of skeptical. It looked like a chick flick, and even though I’ve been known not to mind a chick flick from time to time, I still approach them with some reserve. That said, 500 Days of Summer was really anything but a chick flick. Instead, it was an absolutely wonderful piece of film making that stretched and bent the edges of narrative story-telling, character and plot development, and imagination. It’s a must-see.

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