This past weekend, Maria and I watched Yes Man, a film which we normally wouldn’t have rented if it were not free from the library. I’m going to summarize my thoughts on this film in three paragraphs. I think that’s all it will take. This paragraph does not count.
500 Days of Summer is one of those films that surprises you. I was surprised. When Maria mentioned that she wanted to watch it I was kind of skeptical. It looked like a chick flick, and even though I’ve been known not to mind a chick flick from time to time, I still approach them with some reserve. That said, 500 Days of Summer was really anything but a chick flick. Instead, it was an absolutely wonderful piece of film making that stretched and bent the edges of narrative story-telling, character and plot development, and imagination. It’s a must-see.
I really didn’t expect a lot from Bobby. After all, it was written and directed by Emilio Estevez. Yes, that Emilio Estevez—the guy who played Coach Gordon in the highly-acclaimed Mighty Ducks series (tongue firmly planted in cheek). Really. So you can see why I didn’t go into this film expecting a whole lot, but Maria assured me that it was good and, as it turns out like in most all things, she was right.
Over the weekend I had a man date with my friend Jason. Like all manly men do when they get together, we decided to watch a scary movie. We picked Paranormal Activity a movie we both wanted to see but hadn’t got around to yet because, in both our cases, we didn’t have anyone to watch it with—and this isn’t the kind of movie you want to watch alone!
Alright, so for the sake of full disclosure Wes Anderson is probably my favourite writer/director working in Hollywood today. The others, because I know you were wondering, are M. Night Shyamalan and the Coen Brothers. That said, I’m reviewing The Fantastic Mr. Fox from a particular perspective, whether that’s a good or bad thing from Mr. Anderson in the end, you’ll have to read and find out.
The Stoning of Soraya M. is a movie akin to The Passion of the Christ, Mel Gibson’s 2004 magnum opus in more than one way. Like The Passion of the Christ, we know from the start that our main character, Soraya M., is going to be killed. We’re told this from the very start. Like The Passion, this movie is also unflinchingly graphic in its portrayal of the violence demonstrated against its main character. And like The Passion of the Christ, The Stoning of Soraya M. too gives us a heroic, messiah-like character who dies a seemingly unjust death at the hands of the law. The result, too, is not unlike Gibson’s film. The Stoning of Soraya M. will leave you breathless, in tears, and quite possibly traumatized for days.
The Blind Side is different than I expected. For starters, I don’t like sports movies, pretty much as a rule, because I don’t really like sports. But, like Invictus, which I reviewed earlier, The Blind Side isn’t so much about sports as it is about the human condition, hope, and faith. But, while it was different in that the sports aspect was pretty much glossed over, it wasn’t too different than everything else out there and what you ultimately have on your hands here is a feel-good movie. A feel-good movie done well, but a feel-good movie nonetheless.
